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Ahn Sang-soo tea study

Chinese tea · one black ink

Letters taken apart around the leaf

One black ink on warm paper, writing broken into strokes and dots, and the tea photographed straight from above in the middle of it. Thirty-four Chinese teas, one composition rule.

Dark pressed tea clumps photographed from above on ivory paper, surrounded by scattered black character strokes, halftone patches and a small red seal

Seven categories, set by hand

34 teas · 7 categories

The same strokes on cotton

All tees and hoodies →

Why the type is scattered

Every design here breaks writing into parts and lets the parts stand around the tea. Strokes, hooks, dots and halftone patches are placed like a page set by hand and never straightened afterwards. The paper is warm, the ink is one black, and a small red seal with a single rust coloured chip are the only other marks on the sheet. That suits leaf photographed flat from above, because the loose characters give it a field to sit in without a frame. The name of the tea stays readable in every design, in hanzi and in pinyin, however far the rest of the page travels.